Kuzure-kami-shiho-gatame 崩上四方固
(Modified Upper Four-Corner Hold)
Classification: Katame-waza → Osae-komi-waza (Holding Techniques)
Kuzure-kami-shiho-gatame is a hold-down variation of the classic Kami-shiho-gatame. “Kuzure” means “broken” or “modified,” and in this case refers to the change in position or grip used to control uke. Unlike the standard version where tori sits squarely behind uke’s head, in this variation tori takes a diagonal position—more to the side and behind uke’s shoulder—which can provide better leverage and control in dynamic situations.
Execution
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Tori approaches from behind and to the side of uke’s head—rather than directly behind.
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One arm reaches over uke’s shoulder (rather than under it), gripping the back of uke’s collar firmly to limit upper body movement.
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The other arm wraps around the back of uke’s neck and shoulder, reaching under to grab uke’s belt or hip area for control.
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Tori’s chest stays low, hips are stable, and knees remain close for good balance and pressure.
This variation is particularly useful when uke blocks the standard belt grip or when tori needs more mobility for transitions.
Escapes
Escaping this hold requires timing and space creation:
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Shrimp and roll (ebi + arm thread):
Uke performs an ebi (shrimping motion) to create space, then threads an arm underneath tori’s body. Once the arm is through, uke rotates onto the stomach to escape the pin. -
Belt pull and pivot:
Uke reaches and grabs the back of tori’s belt, combines it with another ebi, and then bridges or pulls tori off balance. With enough leverage, both can roll and uke may reverse the position.
Tip: Using the legs as a lever during the escape (kicking or swinging) can create additional force to tip tori’s weight off-centre.
Did you know?
This variation of kami-shiho-gatame often appears during transitions from turnovers or counters, especially when uke is resisting or turtling. The diagonal positioning allows tori to maintain control without needing to square up directly behind uke, which is often difficult in fast-paced groundwork exchanges.
In Katame-no-Kata, kuzure versions of osaekomi are highlighted to show that flexibility and adaptation are essential to real judo—sometimes the classical form isn’t possible, and effective variation becomes necessary.